墓地

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After Hunters since the beginning of time (FID 2008), Carlos Casas confirms his attraction to the edges of the world, and his distaste for contemporary crowds and their bustle. He prefers to film the eye of an elephant, or its skin, with its shades of grey and green matching the bark of the huge rainforest trees, or
the gestures of its mahout preparing for the last trip that wi...

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